SLUG MAGAZINE album review/Russ Holsten:


Street: 04.12 
The Vistanauts = Julian Cope + Ziggy Stardust 

Apollo Down is a fun record. It’s as if The Spiders From Mars got a ride in a yellow submarine—in space. A finely tuned rhythm section, with fuzz guitars layered over perfectly structured synth lines, allow Larsen’s beeps, whirls and sonic tidal waves of cosmic debris to flood over every track on this record. The Vistanauts are Tom Larsen (vocals, guitar, keyboards), Stephanie Selcho (drums), Kent Rytting (lead guitar) and Anton Nielsen (bass). 

It is hard to filter out this influence when listening to Larsen’s band The Vistanauts, because Bowie is so much there on the surface. It’s OK to imitate your heroes, and Larsen does just that—however, this isn’t a Bowie tribute album. This is a Vistanauts record. 

Whether it’s Starman, Ziggy Stardust or The Thin White Duke, Bowie is, and always will be, one of the gold standards of interpretation. It is a badge of honor to be Beatles–esque or “that guy that sounds like Bowie.” Local legend Tom Larsen does in fact “sound like Bowie”—so much so that Larsen heads a Bowie tribute band called Major Tom & The Moonboys. 

Imitation is delivered in an original package with catchy sonic space freak songs that capture your attention with a glam rock, fun-house, mindfuck vibe. Larsen ties the whole album together in a pleasantly perfect, pretty pink boa. 

“I’ll just be there picking up the pieces after my tumble down,” Larsen sings on the title track—The Vistanauts’ version of The Man Who Fell to Earth. The song is everything at once and at times sounds like a nervous cockpit of a lost spaceship in which the computer has taken over. “Shhh” is a chaotic space age pop song. “Got a straight jacket brain,” Larsen sings, “and a heart in the loo.” Apollo Down is a great record that we are lucky to have locally, but the album deserves to be heard nationally. Larsen and his merry pranksters deliver on all 13 tracks. Seek out this album and share with your friends. –Russ Holsten

[Established in 1989, SLUG Magazine has remained in print for over 25 years, making it one of Utah’s longest-running independent magazines.[2] They distribute over 32,000 copies monthly across Utah and Idaho, including every University campus in Utah except for BYU. Angela H. Brown took ownership of SLUG Magazine in 2000, and is the current owner of the publication. Under her ownership, SLUG launched, which publishes online exclusive content not found in the print issues. The magazine’s current tagline is “Causing A Scene Since 1989,”[3] a reference to the magazine’s important role in documenting and promoting Salt Lake City’s local music scene since its inception.]